some of Eliot's own line periods
Perhaps I move a touch too quickly with this post. In defense my intent here, as with other posts of this nature, is not to argue definitively but to prompt thought.
Seeing a small word – an adverb or pronoun or conjunction – at the end of a line is these days a too reliable cue that the break is unpurposed, in continuation of the previous post that the line carries no sense of a line period, that it is not a constructed line; such words are too frequently strong evidence that the text is not verse at all but prose with line breaks pretending to verse.
Take, as a quick example, and possibly too easy an example, Philip Levine's "The Second Coming," which appears in the February Poetry Magazine, found online here [link]. Out of eight lines, five of them end in small words: "the," "only," "is," "a," and "of." At first glance – indeed at that first "the" – a reader should know that the text is not verse, that it will show little of that fundamental quality of verse, the crafted line.
That the text is shaped does not defeat the assessment, it does not magically turn a prose text into verse. One need only think about the shaping of text in magazine advertisements as cases in point. There is nothing about concrete shape that excludes the possibility of crafting lines, as such
shaped does not
excuse the author who
desires to write verse from
the requirement of writing lines.